Gabriëlla Cleuren Art

What I make, write, read, hear, see and visit as an expressive, spontaneous, systematic artist.

What I make, write, read, hear, see and visit as an expressive, spontaneous, systematic artist.

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122

issues

#122・

The walk #01

More and other works from the series "The walk 2021" >>

 
#121・

Almost drown by art

More and other works from the series 'Almost drown by art", >>

 
#120・

Wanderers!

More and other works from the series 'Wanderers">>

 
#119・

Hades

More and other works from the series "Brave new old Worlds" >>

 
#118・

Is this our future?

Fleeing headlong with the flow and unhappy, she makes her way to safety.

 
#117・

Refugees in our time

An image of a family that is compulsorily driven to another destination, with children, even a little one. Cruel, the only way to survive?

 
#116・

Yellow displeasure

More and other works from the series 'Brave new old Worlds' in the Art space.

 
#115・

Experimental Salon 2022

These works are conceived as poetic improvisations, a counterbalance to my new old worlds, socially critical and thematically burdened because of our difficult times.

 
#114・

Eye for the beauty of nature

During the lockdown, the wild forests and puddles were my only escape option. The chance of meeting people was nil.

 
#113・

Recycled! Upgraded!

More and other works from the series 'Objects / Sculptures' in the Art space.

 
#112・

The fascinating world of Gabriella Cleuren

Therefore this personal invitation, 2 hours of free guided tour and initiation, 2 hours of discovery of unusual things, installations, objects, sculptures, paintings. A walk, a conversation through suddenly .... understandable things.Call for an appointment +…

 
#111・

Even more light!

More and other works from the series "The light - symbolic"

 
#110・

Living sculpture - the art fair

After a wild journey, trucks on the right, cars on the left that do not respect any speed limit, but thunder next to you like in the wild west, 90 where the speed limit is 70, big mastodons whizzing past you. A moment's inattention and you are crushed. I try …

 
#109・

Finally together again.

A joyful luminous image of togetherness with one young figure with burning coloured torches in the foreground, who seems to orchestrate the joy and hold it together: a wishful image for 2022.

 
#108・

The light - symbolic

These images of light, to which man is always attracted, light in the darkness, which clarifies, makes visible, evokes a warm feeling often of solidarity with others, accompanies you where you cannot see: light: symbol of the bright when you have lost your wa…

 
#107・

BRAVE new old WORLDS 2020

My works concerning this state of being were collected images gained from the very recent present, newspapers and magazines of the 21st century.They are highly current, and at the same time very old. For what concerns their content, they belong with Goya, goi…

 
#106・

Carpal tunnel syndrome . Taking my hand to the hospital

Across from me is a young woman who has shaved half of her head, her long hair dangling to one side like a horse's comb. She hasn't filled in anything, hasn't been given any paper. That is now handed to her in a little bundle to be filled in. She may sit asid…

 
#105・

Works created in 2020 from the series "Full Emptiness unique worlds"

Full empty spaces are wide landscapes, where immense mysterious spaces such as they are no longer to be found here in Belgium with its small-scale built-up plots, take shape. Spaces as a metaphor for loneliness, an open mind that sees fullness: full empty spa…

 
#104・

Works created in 2021 from the series "Full Emptiness unique worlds"

Full Empty Spaces: lost worlds are rapidly disappearing, archaic worlds of silence, of rest, of people and animals bound to nature. Today they are threatened by advancing urbanisation, stone-noise roads, traffic, houses, changing interpersonal relationships a…

 
#103・

The unique short-lived mudflats - a story about nature

In 2015, I joyfully travelled regularly to Zeeland, to the giant high dykes along the Westerschelde. Thus I picked day and hour and saved myself the 100km distant trip to the sea. The constantly ebbing and flowing water, in and out of the sea, modelled differ…